Jeff Starck

Starck Contrasts

Jeff Starck

Jeff is a senior editor and was Coin World's 2003 Margo Russell intern and joined the staff in 2004. Jeff has been a collector since childhood and fondly remembers the challenges of completing Whitman folders by pulling coins from circulation and searching rolls from the bank. His current collecting interest focuses on Missouri-related numismatics and exonumia. He is the primary writer for the World Coins section in the monthly Special Edition and is responsible for Coin World's coverage of world coins and weekly International page. He graduated with a bachelor of arts degree from Webster University in St. Louis where he was editor-in-chief of its weekly student newspaper.

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Souvenir post cards showcase early 20th century world coin designs

​I have often described my collecting pursuits as voracious, being a numismatic gourmand in a field of gourmets. The American Numismatic Association World’s Fair of Money in Rosemont, Ill., from Aug. 5 to 9 was a veritable numismatic buffet, providing another opportunity to increase my collection.

Perhaps my neatest acquisition at the show wasn’t even a coin, but rather a pair of colorful post cards featuring coin designs from Brazil and France.

These post cards are from a successor to a series issued for use by cambists (a fancy word for money changers). Today foreign currency exchange rates are available widely in print and online, but 100 years ago, people were on their own when it came to exchanging kroners or marks for pounds or pesetas.

This situation gave rise to a series of post cards, produced by a German businessman named Hugo Semmler. His cards show embossed images of then-current circulating base metal, silver and gold  coins , with a handy exchange-rate chart showing comparable values for common currencies.

David Gladfelter detailed the history of these postcards in two articles in 2005 and 2006 in The Asylum, a publication of the Numismatic Bibliomania Society.

These post cards capture in cardboard a snapshot of coins from nearly four dozen countries at around the first decade of the  20th   centu ry. Successive issues followed , both by Semmler and other publishers,  as the cards gained widespread acceptance as souvenirs, superseding their original purpose.

On one card, the beauty of iconic French coins designed by Oscar Roty, Augustin Dupre and several others is immediately apparent.

Roty’s The Sower (La Sameuse) depicts the sun’s rays spoking the horizon behind a personification of Liberty striding toward a new century. The design was no doubt an influence on Adolph Weinman’s Walking Liberty half dollar that would follow a few decades later.

The Liberty on the 1-, 2-, 5- and 10-centime coins wears a Phryghian cap, a motif familiar to Americans thanks to its place on early coins like the half cent and cent.

The Brazilian card is beautiful but lacks some of the aesthetic allure of the French coin card. However, the fascinating series (also including designs of Liberty) beckons for its depictions of uncommon denominations like 40-, 200- and 400-real coins.

These post cards are adjuncts to world coin collecting, and are certainly more affordable than the coins that they show. (Each post card cost $20.) And they are worth a prominent space on my desk. 

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