When you acquire a coin, token, medal or bank note, take time to
study it carefully. This is the quintessence that you’ve paid for.
Last year I wrote about the 1783 Georgivs Triumpho copper. The
image is of King George III, but what was he “triumphant” about in
1783, the year that England officially capitulated by treaty to the
new United States of America? If anything it was our George —
Washington, that is — who was triumphant. And the reverse of this
coin: What do the motifs mean?
Modern scholars have addressed these questions, including Walter
Breen, George Fuld, Ron Guth, Michael Hodder, John Kleeberg, John
Kraljevich, Louis Jordan, Eric P. Newman, John Pack, Andrew W. Pollock
III, Mike Ringo, Robert A. Vlack, Byron Weston and Dennis Wierzba.
More has been said about it and more has been speculated in the
pages of The Colonial Newsletter, The C4 Newsletter, and in various
auction catalogs and Internet postings than for any other token of its era.
You probably don’t have a Georgivs Triumpho copper — but if you
are intellectually inclined and like a challenge you might track one
down. Hundreds exist.
As Yogi Berra famously said, “You can see a lot by just looking.”
You probably do have a Morgan silver dollar. Have you ever looked
at it carefully?
If not, why not do so between now and next week? In my next
column, I will share some of my “through the looking glass” ideas
about the dollar. So, be prepared.
For starters, did you know that George T. Morgan, who came to
America from England in 1876, created the Morgan dollar design? Did
you know that he originally created the design not for a dollar, but
for a half dollar?
In 1877, Mint Director Henry R. Linderman challenged several
different artist-engravers to come up with new designs. Ideas were
submitted by Morgan, chief engraver William Barber, assistant engraver
Anthony C. Paquet, and perhaps Barber’s son Charles.
Morgan made several patterns. The one most closely related to the
later Morgan dollar is shown above.
Another of Morgan’s 1877 pattern designs lived on — the eagle
perched on a Roman standard. In 1879 the engraver used it as the
reverse motif for the beautiful Schoolgirl pattern silver dollar.
Finally, years later, the eagle and Roman standard concept was
employed as the reverse of the 1915-S Panama-Pacific International
Exposition commemorative gold $2.50 quarter eagle.
See you next week!
Q. David Bowers is chairman emeritus of Stack’s Bowers Galleries
and numismatic director of Whitman Publishing LLC. He can be reached
at his private email, firstname.lastname@example.org,
or at Q. David Bowers LLC, Box 1804, Wolfeboro, NH 03894.