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Steve Roach, Coin World’s editor-at-large, has been deeply involved with numismatics for more than 20 years, starting as a young coin collector in Michigan. Two years spent as a coin grader, nearly three years at a major coin wholesaler and a stint as a paintings specialist at an international auction house have given Steve a rich understanding of the hobby, its market and the unique personalities and exceptional objects that make collecting meaningful. He joined Coin World in 2006 as a columnist, and has served as associate editor and editor-in-chief. He received his bachelor of arts degree from the University of Michigan, a juris doctorate from the Ohio State University and is a Certified Member of the International Society of Appraisers.Visit one of our other blogs:
Danaë detail: Numismatic connection in old master painting
A detail of the top of the painting of “Danaë” by Italian Baroque painter Orazio Gentileschi depicts gold coins with Jupiter’s thunderbolt. The painting will be offered at auction in January 2016.
What will be possibly the most expensive Old Master painting to ever appear at auction has a numismatic connection. Italian Baroque painter Orazio Gentileschi’s “Danaë,” dating from 1621 or 1622, will star in Sotheby’s Jan. 27, 2016, sale of Old Master Paintings in New York, with a presale estimate of $25 million to $35 million. Sotheby’s has called it an “undisputed masterpiece” and “one of the most Important Baroque paintings to come to market since World War II.”
The painting, reportedly consigned by dealer Richard L. Feigen’s family trust, was previously on loan to the Metropolitan Museum in New York where it was installed among the museum’s permanent collection during the museum’s rehang of its European galleries in 2013. At the time, the museum hoped that the 13 objects on loan for the reinstallation, including the Danaë, would end up in the museum’s permanent collection, but instead, the painting is going to auction.
The story of Danaë is a classic one in mythology that would have been well-known to contemporary viewers of the painting. She is confined to her chamber by her father, the king of Argos, and visited by Jupiter – god of sky and thunder – who impregnates her in a shower of gold. Gentileschi’s depiction uses Cupid to pull back curtains to reveal a nude Danaë, showered with gold coins and golden ribbons. The picture was commissioned in 1621 by the nobleman Giovanni Antonio Sauli for his palazzo in Genoa.
Depictions of this scene often use gold coins to represent the shower of gold, and it seems that Gentileschi depicts gold coins with Jupiter’s thunderbolt, lest the viewer forget the mythological underlying story that serves as a reason to depict the nude female form.
Sotheby’s added, “The nuanced treatment of the satin, linen and metals, combined with the refined composition of the overall setting, results in a sumptuous work of art and a dynamic representation of one of the defining moments of early seventeenth-century painting.”