William T. Gibbs
William was appointed the managing editor effective May 1, 2015. He joined the Coin World editorial staff in 1976 as an assistant editor for "Collectors' Clearinghouse" and later became a senior staff writer before being appointed news editor. As managing editor, he manages the day-to-day editorial operations for Coin World, both print and online, and leads the editorial staff. He also serves as chief copy editor for all Coin World publications, including for all books published by Coin World since 1985. He has been project editor of mulitple editions of the Coin World Almanac. Bill began collecting coins at the age of 10 and soon discovered Coin World. As a teen interested in numismatics and journalism, he identified a writing position on the staff of Coin World as a dream job, which was realized shortly after he graduated from Bowling Green State University with a major in journalism. He collects store cards and medals depicting Adm. George Dewey of Spanish-American War fame.Visit one of our other blogs:
Archive for 'May 2016'
Contemporary collectors found the matte surfaces of this Proof 1908 Indian Head gold eagle unsatisfactory though Mint officials believed traditional polished surfaces were impractical with the new coin designs being introduced. Eight years later, Proof coins were canceled.
Our cover feature this week focuses on the Mint’s recent experiments with different finishes on the coins it produces and sells to collectors and dealers. Collector reactions to Reverse Proof and Enhanced Uncirculated coins have differed, though secondary market pricing for many pieces suggests that overall, the response has been positive.
The Mint has not always received a positive response to experimental finishes for collector coins. Indeed, the failure of experiments at the start of the 20th century actually resulted in the cancellation of sales of Proof coins for two decades.
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From 1858 to 1915, the Philadelphia Mint struck Proof versions of most coins for customers. Until 1907, the finish on the Proof coins generally consisted of polished surfaces. However, the introduction of the new designs for the gold eagle and double eagle in 1907 and for the gold quarter eagle and half eagle coins in 1908 resulted in changes to the die curvature and texture of the fields that researcher Roger Burdette said made polishing of the surfaces to create a traditional Proof finish impractical.
Since Mint officials still wanted to sell Proof coins to collectors and wanted those coins to have a distinctive finish to distinguish them from circulation strikes, they introduced a dull Proof finish or what we call today the Sandblast Proof finish. This finish on the 1907 and 1908 gold coins was imposed post striking through light sandblasting. A different approach requiring no post-striking treatment was used on the gold coins of 1909 and 1910, creating the oddly named Roman Proof finish.
For the next few years, Proof finishes were not uniform, which collectors found unsettling and complained about in correspondence. The new Lincoln cent had a matte finish. The 5-cent coin and three silver coins of the old designs had traditional brilliant finishes but their replacements had die curvature and fields similar to those of the gold coins, making polished surfaces not an option.
Furthermore, the Mint’s prices for the Proof silver and minor coins would not cover the higher production costs that would be entailed, Burdette writes. The Mint decided the hassle was not worth it, and in 1916 canceled the Proof program.
As I write this editorial on May 12 it has been three weeks to the day since the U.S. Mint offered and “sold out” of its 2016 Winged Liberty Head gold dime, and yet, I continue to receive daily email, phone calls and traditional letters from collectors upset with the U.S. Mint and dealers over how sales unfolded in a period of 20 to 40 minutes.
Meanwhile, as we now know, the program is not sold out. More than 6,200 of the dimes remain unsold because of credit card declines, order cancellations, and returns from buyers (some being returned because of damage to the packaging or coins, and others because of imperfections that might result in a grade that is unacceptable to the customer). Mint officials have said that at least some of the unsold dimes will be offered again but we are still waiting on details of how and when those coins will be sold.
A Mint spokesman said May 12 that the remaining dimes likely would not be offered until order reconciliation is complete. He could not say how long that might take, so collectors are left wondering whether it be a matter of days or weeks or even months. And when sales resume, how much advance notice will collectors receive.
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Two of our news articles this week focus on the generous donations to museums in New York City by two civic-minded and wealthy families. Paul Gilkes reports on the generosity of John E. Herzog, while Steve Roach reports on the donation by Stephen K. and Janie Woo Scher.
Herzog is well known within the financial collectibles community. He is chairman emeritus of Spink/Smythe and the founder and chairman emeritus of the Museum of American Finance on Wall Street in New York City. In 2011 he founded the Wall Street Bourse, a now annual coin, paper money and stock certificate show held at the nation’s financial capital.
His new donation to the museum of $5 million, to be paid out in installments through May 17, is, as Herzog puts it, “a final gift” and “a display of my confidence in the ability of the museum’s leadership to successfully carry it into the future and sustain it as a permanent institution.”
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The museum serves as a neutral public forum for addressing topical financial issues and events.
The Scher donation involves their astounding collection of 450 art medals, donated to The Frick Collection in New York City.
Museums are wonderful places for families to visit, whether they be an art museum like the Frick, a financial museum like that founded by Herzog, or the National Museum of the U.S. Air Force not far from Coin World’s home in western Ohio. And numismatic holdings can enhance a museum’s ability to tell visitors something about history, art, finance, and people.
Donations of numismatic materials to museums don’t have to be as valuable as those offered by Herzog and the Schers. Even a small local museum might welcome a donation of numismatic material. For a collector who is thinking about what should be done with his or her holdings after death and whose family has no one interested in coins or paper money or medals, a donation to the local history museum is a great solution.