William T. Gibbs

Bill’s Corner

William T. Gibbs

William was appointed the managing editor effective May 1, 2015. He joined the Coin World editorial staff in 1976 as an assistant editor for "Collectors' Clearinghouse" and later became a senior staff writer before being appointed news editor. As managing editor, he manages the day-to-day editorial operations for Coin World, both print and online, and leads the editorial staff. He also serves as chief copy editor for all Coin World publications, including for all books published by Coin World since 1985. He has been project editor of mulitple editions of the Coin World Almanac. Bill began collecting coins at the age of 10 and soon discovered Coin World. As a teen interested in numismatics and journalism, he identified a writing position on the staff of Coin World as a dream job, which was realized shortly after he graduated from Bowling Green State University with a major in journalism. He collects store cards and medals depicting Adm. George Dewey of Spanish-American War fame.

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Is it Liberty, or is it Wonder Woman?

The United States Mint unveiled a slew of designs for its 2015 High Relief gold $75 coin on the afternoon of Jan. 22: eagles in various poses for the reverse and images of Liberty for the obverse.

As Coin World’s Washington correspondent Bill McAllister has reported, the Commission of Fine Arts in its Jan. 22 review of the designs recommended two different obverse designs displaying the allegorical figure as Liberty, one showing a Liberty Head and the other a nearly full-length Liberty figure.

The various Liberty portraits submitted for review encompass a wide range — some gorgeous and others that were much less attractive; some simple and others intricate.

Some designs stand out above others.

Two striking portraits of a Liberty Head figure depict her with decidedly African-American features — a bold choice in this increasingly diverse nation, and one which is recommended by the CFA. She wears wheat strands in her hair in both portraits, and both show her in three-quarters view, with one design showing a fraction more of her face than the other.

Many of the depictions show standing portraits of Liberty,some from torso upward, with others showing the full length of her body. Depictions of flags, flaming torches, various plants, wings, shields and swords help support the central Liberty in her various portrayals. Think of Liberty as botanist, or Liberty as patriot, or Liberty as angel, or Liberty as peacemaker,or Liberty as the potential warrior.

And then there’s Liberty as Wonder Woman. Yeah, Wonder Woman. The Mint’s 14th design shows a virtually full length portrait of Liberty, her hair held in place by a helmet, armor covering her torso, a sword in her right hand and a union shield being supported by her left hand. The design shows Liberty as Warrior Queen, or an Amazonian princess. Like I said,Wonder Woman.

The design is clearly modeled after the Statue of Freedom that stands as guardian atop the U.S. Capitol dome, though somewhat modernized.And yet the figure also throws off this Wonder Woman vibe. True, she’s not wearing Wonder Woman’s classic costume (Google “Lynda Carter as Wonder Woman” if you’re uncertain of what that looks like).However, the character of Wonder Woman is sometimes shown in the comics wearing flowing robes similar to those worn by women in ancient Greece and Rome, and thus looks a lot like the design reviewed on Jan. 22.

These comments should not be construed as criticism. Far from it, as the many Wonder Woman statues and figures and busts that grace the geek shelves of my home prove.

To Americans, the allegorical figure of Liberty can represent many things. Why not Wonder Woman, who wears the red, white and blue of her adopted country?​
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1 comment
I thought the allegorical figure of Liberty was for every American regardless of race. I'm afraid politics is now infiltrating our hobby. Too bad.